By learning from classical process, rather than simply replicating a look, Francesco is an unprecedented modern manifestation of the Renaissance.
Joan is characterized by neat serifs as well as sharp terminals. Jalleau carefully studied this mythic book of fine typography to inform his digital work. Inspired by the roman cut by Francesco Griffo, it is a tribute to the Italian style, a model to follow even in the 15th century. Numerous ligatures and alternates further enhance titles and short texts.Īmong Francesco’s historical sources is the famous *Hypnerotomachia Poliphili* printed in 1499 by Aldus Manutius, the greatest printer of the Renaissance. Likewise, shapes such as serifs that are commonly replicated in current practice, are individually crafted, rendering a vibrant, lively text. Just as punchcutters did by cutting letters from steel one by one, Jalleau gave each glyph, even similar ones, its own shape, bringing variety to the setting. Classics such as FF DIN and Proxima Nova, or try out new typefaces like Neue Haas Unica. Yet this face isn’t mere pastiche it is informed by traditional techniques. Try, buy and download professional fonts for desktop, web and apps. With its obstructed counterforms (a, e), it evokes 15th-century prints.
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Adopting old-style classicism and manual drawing, Francesco is soft and approachable without compromising readability.įrancesco is designed like no other contemporary typeface. This typeface has two styles and was published by BAT Foundry.įranck Jalleau’s flexible and vigorous typeface is inspired by Venetian faces of the Renaissance, especially those cut by Francesco Griffo who lends it his name.
Designed by Franck Jalleau, Francesco is a historical font family. Other articles where Francesco Griffo is discussed: italic: Virgil), created in 1501 by Francesco Griffo, typecutter to the printer Aldus Manutius, in Venice.
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